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But if you want to use a set tempo for the grid in the standalone, set the tempo before you load the file-then don't change the algorithm or you'll have to repeat the process. I believe there is still an option if you are using the program from within Studio One. Anyone else have to do something crazy like that? One thing that kept confusing me was this: even though I tried (or did) set the tempo to a constant 87.333 BBM, Melodyne's tempo readout was constantly changing.Once upon a time, you just set the tempo and it stayed there. And I had to shift things around to get it started on a Melodyne time line. I didn't think I was playing that complex of an electric bass part (at constant 131 beats per minute, though there were occasional triplets), but I wasn't able to do it without setting assistant to 87.333 beats per minute (which is 131 BPM divided by 1.5). I don't know if Melodyne's Help Center was updated somewhat recently, but I was able to get some timing correction done with "Melodyne assistant 4" today for the first time! I seemed to have to go through a very convoluted method to get there, but I was able to do it following the directions that I've never come across before. This would allow for selective grouping of related blobs for editing and make work like this so much easier. So? Apart from, any loss of high frquencies, any disappointment is due to the complexe task, which Melodyne does not claim to manage.It would be great if it was possible for Melodyne to select by spectral, timing and envelope matching all the different harmonics of a sound in poly mode so that each timbre could be differentiated by colour from all the other sounds.
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While I've had luck with the polyphonic mode it's tough. If it's just the vocal use the monophonic mode. So? Apart from, any loss of high frquencies, any disappointment is due to the complexe task, which Melodyne does not claim to manage.are the other instruments on the track you're trying to tune or is it just the vocal. So? Apart from, any loss of high frquencies, any disappointment is due to the complexe task, which Melodyne does not claim to manage. Moving a voice with a prominent vibrato carries some accompanying sounds with it, leaving a vibrato-shaped "hole" in the spectrum, hence the slight warbling effect. (The higher harmonic don't appear) Blobs which are near the voice I test one by one by detuning them to hear if the voice is affected. the fundamentals and their second and third harmonics, which must be retuned together. I switch off the magnetic pitch assignment.Ībove all, his rich timbre appears three times, i.e.
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(Polyphonic mode).I pushed the Note Assignment to maximum.The vibrato appears as multiple blobs which must be moved together to conserve the original character of the singing. I have not noticed any loss of highs (v 4.04001) but at 67yo I probably don't hear them anyway (above 13kHz).
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I've been trying to correct a commercial recording of a rich-toned tenor (with strings) who sings a short tricky fragment one semitone too low.